is a curator, writer, and educator specializing in contemporary craft and design.
Currently, Sarah is Assistant Curator of the American Folk Art Museum, (New York), where she oversees exhibitions and public programs for the Museum's Collections and Education Center in Long Island City, Queens. Previously, she has held positions in the curatorial departments of the Frye Art Museum, (Seattle, WA), Museum of Contemporary Craft, (Portland, OR), Cranbrook Art Museum, (Bloomfield Hills, MI), Planting Fields Foundation, (Oyster Bay, NY), Institute of Contemporary Art, (Philadelphia, PA), and Maine Historical Society, (Portland, ME). Additionally, she continues to serve as an instructor, mentor, and guest critic to graduate-level students receiving their MFA degrees in Craft and Applied Craft + Design at Oregon College of Art and Craft and Pacific Northwest College of Art, (Portland, OR). Sarah contributes to numerous print publications and online art journals, notably: Bitch Magazine; Journal of Modern Craft; Surface Design Association Magazine; Daily Serving in partnership with Art Practical; Art21; and Bad at Sports: Contemporary Art Talk.
In 2017, Sarah co-founded Lone Pine Farm & Studio, an agri-cultural incubator and artist residency on
Bainbridge Island, Washington that, in 2018, relocated to Chesterfield, Massachusetts.
Contact | firstname.lastname@example.org
Photo: Mikola Accuardi, Portland Supply Co.